New Landscapes
 Dispute d'arbres, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Le brouillard, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Vernier, 1992 platinum / palladium print, 14 x 11 in, 2010 |
 Rhône à Russin, 2010 platinum / palladium print, 14 x 11 in, 2010 |
 Bouleaux, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Aigle en pierre, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Caillou tombé du ciel, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 La forêt, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Eucalyptus, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Brouillard en montagne, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Le Rhône à Arles, 2006 platinum / palladium print, 14 x 11 in, 2010 |
 Oiseau en pierre, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Paysage, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Pont en Nièvre, 2002 platinum / palladium print, 14 x 11 in, 2010 |
 Troupeau, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Ciel et forêt, 2009 platinum / palladium print, 14 x 11 in, 2010 |
 Montagnes, 2008 platinum / palladium print, 14 x 11 in, 2010 |
 Givre, 2006 platinum / palladium print, 14 x 11 in, 2010 |
 Forêt, 2000 platinum / palladium print, 14 x 11 in, 2010 |
 Arbre solitaire, 2006 platinum / palladium print, 14 x 11 in, 2010 |
 Les chênes penchés, 2008 platinum / palladium print, 14 x 11 in, 2010 |
New Landscapes
" During the Song dynasty (960–1279), landscapes of more subtle expression appeared;
immeasurable distances were conveyed through the use of blurred outlines, mountain
contours disappearing into the mist, and impressionistic treatment of natural phenomena.
Emphasis was placed on the spiritual qualities of the painting and on the ability of the artist to reveal
the inner harmony of man and nature, as perceived according to Taoist and Buddhist concepts. "