Naturalia
 Nuvem, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Muro de pedra, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Riacho, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Musgo, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Eucalipto, Paços Ferreira, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Montanha, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Arvores, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Novas folhas, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Paisagem, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Raios de sol, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
 Cavalos, Peneda-Gerês, 2008 platinum / palladium print, 14 x 11 in, 2008 |
Naturalia
" In the Tang dynasty (618–907), the primary subject matter of painting was the landscape,
known as shanshui (mountain water) painting. In these landscapes, usually monochromatic
and sparse, the purpose was not to reproduce exactly the appearance of nature but
rather to grasp an emotion or atmosphere so as to catch the "rhythm" of nature. "